Having played quite a few tunes together over the years, the ‘Dorks’ are now a proud, intermediate level group of adult string and woodwind players.
Made up of a disparate group that includes an architect, archaeologists, a few medics, a literature professor, a lawyer, engineers, a care worker, a copyright queen and mums and dads, we are conducted by our enthusiastic and fearless maestro Daemon Clark (a real musician!).
We play an eclectic mix of western art music and popular hits. Our current favourites include Bach Brandenburg No.3 in G as well as Bach Suite No.3 in D. We are inching our way through Schubert’s Unfinished Symphony – it’s not too likely we’ll be able to finish it either – but certainly not through lack of trying! We also play a couple of zesty tangos but our all time faves are the short versions of Handel’s Arrival of the Queen of Sheba and Rossini’s Barber of Seville.
The ‘Dorks’ meet from mid-January all the way through to mid-December at East Fremantle Tennis Club, Jerrat Drive, East Fremantle (off Preston Point Road) every Thursday night, 7.30pm until 9.30pm (byo wine is always welcome to start the night off!)
Click below to listen to the Dorkestra being insterview on Radio Fremantle
……..”The infectious rhythmic style of Stephen Bulla’s Subway Stomp was recently recorded live by the Dorkestra for a select audience. Played for the most part in time and with notes in tune and in the right sequence, this creative sleuthy number tells us much about the Dorkestra’s emerging skills as one of Fremantle’s most musically challenged groups. With the jazzy harmonies of the violins, clarinet and flutes held together by the plucking strong performance of the cellos and violas echoing the eerie stomp of footsteps, Maestro Daemon Clark leads his orchestra through the dark corners of the “subway” to emerge triumphant on the pavement in the bright light of day! It’s amazing how these try-hard non-musicians have risen from their earlier hits of the Dr Who theme tune and Gluck’s more challenging Dance of the Furies to almost master Bulla’s Subway Stomp. Onya Dorks!” – Ward 6A Monitor
“The deliberate use of disharmony works well in this performance” – Aircellist Weekly
“A triumph” – Royal Perth Review